Little Tales of Family and War

How well she writes about class, social and political eras. I am reminded of Dawn Powell
and Edith Wharton. There are characters and scenes, situations so specifically and
brilliantly drawn they must be “true.” We know Babs and Mr. Rich, Tom and the weeping
French school-mistress. So interwoven are their contradictions and questions this
book seems infinitely longer than it is. Lucia Berlin

King is a minimalist with a difference. Where much minimalist prose is dry and detached,
King’s is richly detailed. American Book Review

These are more than domestic tales, they give a spinning feel to the cultural assumptions
that are opened like a papaya to reveal a possibly menacing clutch of squishy black seeds.
Stacey's The Reading Form

Each incident-no matter how apparently exaggerated or seemingly trivial-has the unbounded
fullness of life as it is lived, not as it is more generally represented in narrative as a patterned
sequence leading toward a satisfying conclusion. Rain Taxi

Martha King examines what goes on between people before and behind closed doors. The
true motivations hiding behind what people think they want to believe about themselves. It can
be brutal; it can be funny; it is just what it is. In terms both literary and direct, Martha sings
that which we can recognize in ourselves, our families, our working lives, our friends;
best of all, our enemies. Mitch Highfill

Martha King’s most recent book, Seventeen Walking Sticks (Stop Press, 1997) is a cycle of poems in response to drawings
by Basil King.
   Her other books of poetry are Weather (New Rivers Press), Women and Children First (2+2 Press), Islamic Miniature (Lee/Lucas Press)
and Monday Through Friday (Zelot Press). Her poems have appeared in small press magazines including IO, Chelsea, Mulch, Ikon, Contact II,
New American Writing, Synaesthetic, Optimism (Czech Republic) and Radical Poetics (U.K.). Her prose/fiction and essays have appeared in
Hanging Loose, North Carolina Literary Review, House Organ, Bomb, St. Mark’s Poetry Project Newsletter, and First Intensity, among others.
   Selected works are in the following anthologies: A Decade and Then Some/Intrepid Anthology, Allen Deloach, editor (Intrepid Press); Woman
and Nature, Susan Griffin, editor (Harper & Row); Sparks of Fire: Blake in a New Age, James Bogan and Fred Gross, editors (North Atlantic Books);
Pegansen fran Prarien, Peter Trachtenberg, editor (Hammarstrom & Aberg); Chain, Jena Osman and Juliana Spahr, editors (University of Buffalo); The
Taking of Hands, C. W. Truesdale, editor (New Rivers Press).
   Mrs. King was the editor of the poetry zine Giants Play Well in the Drizzle which floated free to readers from 1983 to 1992, and the much
shorter lived Northern Lights Poetry Chaplets Series (1993-95). She is a professional science writer and is currently director of publications
for the National Multiple Sclerosis Society in the U.S. where she edited
the prize-winning quarterly magazine, InsideMS.
   Mrs. King is married to the painter Basil King, whose art work has appeared in a number of her books, including Weather and Islamic Miniature.