Power & Misery

Larry Kearney

 

ISBN 978-1-947980-78-5        192 pages        $16.00

 

Larry Kearney’s lyrical, probing voice has been an essential in American poetry for the last 50 years.

 Joanne Kyger

 

Kearney is one of those unsung cats who has been producing intelligent thoughtful snarly deeply musical poetry, deeply felt wryly wrought astute poetry of the first rank for decades for a select few—you’re in for a rare treat.

 David Meltzer

 

His ear is uncanny, tuned with perfect fidelity to culture high and low, to all the temptations of language and heaven. His curiosity about form and metric have turned his work into a palace of music; it’s a poetry so melodic and harmonically inventive as to approach the aural splendor of, say, Charlie Parker’s Birdland . . .

 Kevin Killian

 

The principle of Larry Kearney’s art is permeability. He doesn’t reference the world, he reveals it’s essential poetry. Nothing is not included.

 Rick London

 

Larry Kearney’s work has from its beginning taken on the most commonly unnoticed phenomenal presence on the set: harm. Good and evil are human trivialities. Harm is the Allshadow. To my way of thinking, Kearney and Jack Spicer, two noble kinsmen, stand alone among anglomundo poets in this regard, having noticed and thereby understood what was being asked of them.

 Duncan McNaughton

 

Larry Kearney never wavers in his quest to understand the sapphires in the mud, or the import in each human footstep. His typical poem is very short, very long, brashly assertive and searchingly sotto voce, and over the years he has produced a corpus of irreplaceable poetry in which “time stops for minds.”

 George Albon