The Obvious Poems


The Worthless Poems

James Berger


ISBN 978-1-956005-98-1       90 pages         $16.00



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“There is an ever-present intensity to James Berger’s Prior through which the reader plummets. Full of complex and particular insight, by turns darkly comic and comically dark, these poems are as unafraid of regret an anger as they are of quick surprise and happiness. Prior testifies to what it means to be ankle deep in a new century, one marked by sound and fury and the astonishment that words still hold us fast to what is yet to come. Berger is a poet for this, our only, right now.”

   Richard Deming


“With Prior, Jim Berger offers up exuberantly dark and witty meditations on the past, maggiage, love, maturity, projects, protecting one’s children, cultural amnesia, violence, kindness, and the impossibility of the present moment. These poems lean into the future and reach back to prior orders of suffering and loss, swinging wildly between disillusion and hope. They give us a sense of the fierceness of being alive, and the sheer gift of being able to reflect on what that means. They remind us, beautifully, of our brevity in this world.”

   Joanna Klink



Under the Impression


“James Berger, the unseen hand behind two searing volumes of OBU [One Big Union/ Oligarchy Busters United] manifestos, emerges into light in Under the Impression. Known in the OBU books as an advocate for labor unions, radical politics, and yet-unimagined forms of social solidarity, here we encounter a poet whose imaginative and intellectual cv includes many passions: the history and literatures of ancient Greece and Rome, art, basefall, jazz, puns (good and bad), insects as beings and as metaphysics, tennis, fatherhood (from both sides), a mother’s death, marriage, intellectual disability, sex, John Ashbery, hiphop rhymes, friendship, and poetry as form, profession, aesthetics, politics, satire, and lyric. Where OBU was a “project,” this volume projects many more lenses of Berger’s fly-eye. This is a manual on how to see the contemporary world and to survive that seeing, while knowing that ‘It’s only now that the saddest thing in the world is joy.’”

   Susan M. Schultz


“Under the Impression transverses the spongy dents in the surfaces of language and memory. Anti-lyrical and insistently lyrical, frank, interrogative, and punctuated with humor, Berger’s poems articulate brilliantly an inventive scepticism of the real world’s edges and fictions. Lines like ‘The cat is chasing the bouncing ball./ Can you determine if that is a true statement?’ and ‘What’s so pressing?... We will see the shape when we no longer see the violence’ imbue Berger’s reader with a monstrous sensitivity toward the perceptible persistence of absense, time, injustice, and the possibility of happiness.”

   Orchid Tierney



The OBU Manifestos


“One Big Union aka Oligarchy Busters United–a serious and radical hoot, a real send-up and a real, passionate intervention–these Blakean manifestos for our pluri-poly-inter-problemantic NOW-TIMES smash and reconfigure the relations between politics (explicity), situationist aspiration (informed), aesthetics (pointed), and aspire to a metamorphic (dada?) democracy–all with a fierce and witty love. Ingest the transformative OBU; readiness is all.”

   Rachel Blau DuPlessis


“The OBU Manifestos offers evidence of a poetic imagination at work, imagining in the best utopian fashion a world of human mutuality the direct obverse of the oligarchical nightmare into which we seem to be descending. If it can be imagined, then it can be–or ought to be–realized, and The OBU Manifestos is an advanced primer in turning imagination into reality.

   Mark Scroggins


James Berger’s bios continues, but feels increasingly detached from its graphein. Nonetheless, he lives in New Haven CT and professes, at Yale, Literature and how it got there. This is his third book of poems–or maybe his fifth, depending on what category the OBU Manifestos books are to be placed in. He has written two scholarly monographs. He works now on “The Book of Impasses,” concerning our imaginative failures to conceive a just and sustainable future, which includes, at a lower pitch, his failure to write the book. He is married to a historian, Jennifer Klein, which does give him some hope for the future; and is father to two daughters, Hannah and Teya, who are now better musicians on violin and flute than he ever was on his glad euphonium; and they give him more hope.